Falling asleep is hard because my brain is always racing, my quality of the sleep is trash and waking up every day feels like an act of torture. It's gotten so bad that at some point in the last couple of years, I started using three alarms to make sure I get out of bed in time for work: a dedicated sunrise alarm clock, my smartwatch and my phone as the final, 11th hour save in case the other two methods don't do the trick. As you might imagine, my partner, who is forced to also endure this horrid morning ritual, hates it.
Where they are almost perversely proper, polite, and put-together, he seems a weary whirlwind, embarrassed to be caught mid-spin. The conflict they encounter is not one of shouting or smashed plates, but swallowed arguments and a shared grief they can't bear to say aloud. So instead, they'll be civil and stay on the surface with small talk. Yet the visual storytelling and nuanced performances Jarmusch knits together allow the audience to probe deeper than these preppy siblings can dare.
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